Monday, May 9, 2011

Farenheit 451 2

As I fininsh the book, I realize that I love this book. Great story line and I can see why it is one of America's favorite books.

I loved reading about one part inparticular. In this section, Montag describes his hands, which he blames for stealing the book, as infected and relates how the “poison” spreads into the rest of his body. This reveals that Montag lacks awareness of his true motivations and that some unconscious force is overpowering his conscious, rational self. Bradbury implies that Montag’s defiance and thirst for truth are innate and instinctive but that they have been repressed by a culture that relies on ignorance, complacency, and easy pleasures.

Nonetheless, after stealing the book Montag experiences an intense, disorienting fear. He tries to draw some emotional support from his wife, seeking desperately to remember where they first met. This bit of information takes on a symbolic significance for him as he realizes that he does not truly feel connected to her. Montag is frightened by Mildred’s pill-taking habits, but not because he truly cares whether she lives or dies. His fear actually stems from the fact that he doesn’t really love her and is trying to avoid acknowledging that fact.

Bradbury uses several devices to heighten the tension of the chase sequence, including the use of dramatic pauses (such as when the Hound pauses on Faber’s lawn), the description of the Hound’s progress from Montag’s perspective, and the countdown to the “look-out” in which everybody is to open their doors. This latter device effectively pits the entire city against Montag and creates a definite time factor (as opposed to the progress of the Hound, which is an undetermined distance away from Montag). Montag has to make an effort to remember that he is not watching a fictional drama but his own life unfolding on twenty million TV screens.

Montag leaves the frightening unreality of the city, which he thinks of as a stage of actors and a séance of ghosts, and enters the world of the countryside, which feels equally unreal to him because of its newness. Drifting peacefully down the river into darkness, Montag finally experiences the quiet and freedom that he needs to think.

Thanks Farenheit 451! Loved it

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